The Jubilee Singers of Fisk University :: American History Essays

The Jubilee Singers of Fisk UniversityFrom the mid-1800s, most black institutions of higher education fielded a assort of jubilee singers and/or a vocal quartet to sing spirituals. These radicals toured the nation and delineated the institution outside the local community. One of the earliest and most notable of these groups were the Jubilee Singers from Fisk University. According to Ray Funk, in his essay accompanying the Document digest EARLY NEGRO VOCAL QUARTETS, there is only one preserve from the 1890s extant of an African-American vocal group, the Standard Quartette. While this Fisk group was active in the l890s, it continued on throughout the years, of course with some(prenominal)(a) different members each year and a complete turnover of members indoors each four years. For the most part, the singers were students at Fisk. I dont think you be going to find anything recorded originally before 1900, but for some modern recordings of the Fisk Jubilee Singers you should loo k for a 1994 Smithsonian/Folkways recording called African American Spirituals The project Tradition SF40072 At a time when most black medicament was being performed by white minstrel harmonyians in blackface and vulgar caricature, a small group of exceptionally well-trained and talented black singers at Fisk University in Nashville achieved initiation-wide renown for their stirring and very professional performance of traditionalistic black spirituals.Originally, the group was composed of two quartets and a pianist, a womanhood named Wells, under the direction of the University musical director, George L. White. In 1871 this small group put out to raise money for the struggling little university (founded in 1866). over the next decade they had toured most of the northern states, had performed at the White House, toured England and oftentimes of Europe and had played for Queen Victoria.The group was given its name by director White. In Old Testament history, each fiftieth Pentecost was followed by a year of jubilee - a year in which Hebrew fairness required that all slaves be set free. Organized in 1871, in the dark shadow of slavery, the Jubilee Singers seemed a most appropriate name. Most of the students at Fisk had been former slaves.In terms of musical history, the primary significance of the Jubilee Singers is that they introduced to the world for the first time a magnificent body of folk music -- slave songs, spirituals -- which celebrated life, survival, victory.